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Glamming-up Glastonbury Festival


What do you get when you put the glamour into camping? Glamping.

That is the term coined to describe festival-goers who are ditching the tie-dye t-shirts and buying brand new wardrobes for these musical events.

With the likes of Kate Moss and Sienna Miller successfully managing to look glamorous - despite wading across a field of mud at Glastonbury - festival fashion is booming.

This Morning's fashion presenter Helen Boyle reckons people are spending up to £250 on festival outfits.

"It's like going on a week's holiday, the amount of clothes you can take," she says.

"If you're going to pack for a festival, you're going to pack for every eventuality and you're going to plan your outfits for the time you're there.

"You might change half-way through the day if you wanted to, depending on what the line-up is."

Glastonbury-goer Vicky Marks, from London, says looking good is important at festivals.

"You don't get to wash, so you're basing it all on your outfit rather than your face and your hair," she told the BBC.

This Morning's Helen Boyle says over the last few years festival fashion has become huge on the high street.

"You've got brands like ASOS, Dorothy Perkins and Topshop all creating capsule collections because of the absolute obsession we have with celebrities and what they're wearing.

"You look at Kate Moss wearing her hot pants and suddenly over the next few years the hottest thing that you should be wearing at a festival are your hotpants and wellies."

Tophop's head of design Karen Bonser agrees that a certain supermodel has made shabby chic cool.

"Kate Moss has kind of pioneered that look of sequins, wellies and mud.

"Then there was Alexa Chung in the Barbour coat, she made that look really cool and effortless," she says.

Festival must have

"Festival-goers want to look like a celebrity, and with the acts mixing with them in the crowd, they feel like they're becoming celebrities."

Radio 1 DJ and veteran Glastonbury-goer Jo Whiley is one of those celebrities who will definitely be spotted amongst the crowds.

Having covered the event for the last 15 years, the 43-year-old knows how to look the part, whilst remaining practical.

In a recent interview with The Times she cited a denim skirt, sunglasses, a cowboy hat and "the right wellies" as her festival essentials.

This year's welly - for those with a bit of extra cash to splash - is the Hunter Jimmy Choo.

The faux croc design, embellished with a gold buckle, retails at £250.

There is currently a waiting list for the boots and Jimmy Choo have already sent out pairs to Whiley, Moss, Miller and The OC actress Rachel Bilson.

These are just a handful of the stars likely to turn up at Glastonbury and some of the other festivals, so the boots are being touted as this season's festival must-have.

Emma Smith, 19, told the BBC at this year's Glastonbury Festival that she was wearing a certain brand of wellies "largely" because she had seen Moss in them.

"We did buy some expensive Wellington boots. But we are going to more than one festival this year, so it's an investment," she added.

Sophie Mitchell, 17, from Cheddar in Somerset says she has built up her Glastonbury wardrobe over several months.

"It's a gradual build-up of the Glastonbury staples. There was an important trip for the black wellies. It's just good to look good.

"It's about the music obviously, but I quite enjoy getting ready."

However, if the wardrobe budget does not stretch to a pair of pricey boots, then there is plenty of cheaper alternatives on the high street.

In fact, wellies have been radically made over in the last few years and there are boots available in every possible colour and design.

But once the rain starts pouring and the ground gets churned up, the festival-goers might just forget about fashion.

The focus might just be on staying dry and not getting muddy.

(Source: BBC)
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Michael Jackson, `King of Pop,' dead at 50

LOS ANGELES – Michael Jackson, the "King of Pop" who once moonwalked above the music world, died Thursday as he prepared for a comeback bid to vanquish nightmare years of sexual scandal and financial calamity. He was 50.

Jackson died at UCLA Medical Center after being stricken at his rented home in Holmby Hills. Paramedics tried to resuscitate him at his home for nearly three-quarters of an hour, then rushed him to the hospital, where doctors continued to work on him.

"It is believed he suffered cardiac arrest in his home. However, the cause of his death is unknown until results of the autopsy are known," his brother Jermaine said. Police said they were investigating, standard procedure in high-profile cases.

Jackson's death brought a tragic end to a long, bizarre, sometimes farcical decline from his peak in the 1980s, when he was popular music's premier all-around performer, a uniter of black and white music who shattered the race barrier on MTV, dominated the charts and dazzled even more on stage.

His 1982 album "Thriller" — which included the blockbuster hits "Beat It," "Billie Jean" and "Thriller" — is the best-selling album of all time, with an estimated 50 million copies sold worldwide.

At the time of his death, Jackson was rehearsing hard for what was to be his greatest comeback: He was scheduled for an unprecedented 50 shows at a London arena, with the first set for July 13.

As word of his death spread, MTV switched its programming to play videos from Jackson's heyday. Radio stations began playing marathons of his hits. Hundreds of people gathered outside the hospital. In New York's Times Square, a low groan went up in the crowd when a screen flashed that Jackson had died, and people began relaying the news to friends by cell phone.

"No joke. King of Pop is no more. Wow," Michael Harris, 36, of New York City, read from a text message a friend had sent him. "It's like when Kennedy was assassinated. I will always remember being in Times Square when Michael Jackson died."

The public first knew him as a boy in the late 1960s, when he was the precocious, spinning lead singer of the Jackson 5, the singing group he formed with his four older brothers out of Gary, Ind. Among their No. 1 hits were "I Want You Back," "ABC" and "I'll Be There."

He was perhaps the most exciting performer of his generation, known for his backward-gliding moonwalk, his feverish, crotch-grabbing dance moves and his high-pitched singing, punctuated with squeals and titters. His single sequined glove, tight, military-style jacket and aviator sunglasses were trademarks, as was his ever-changing, surgically altered appearance.

"For Michael to be taken away from us so suddenly at such a young age, I just don't have the words," said Quincy Jones, who produced "Thriller." "He was the consummate entertainer and his contributions and legacy will be felt upon the world forever. I've lost my little brother today, and part of my soul has gone with him."

Jackson ranked alongside Elvis Presley and the Beatles as the biggest pop sensations of all time. He united two of music's biggest names when he was briefly married to Presley's daughter, Lisa Marie, and Jackson's death immediately evoked comparisons to that of Presley himself, who died at age 42 in 1977.

As years went by, Jackson became an increasingly freakish figure — a middle-aged man-child weirdly out of touch with grown-up life. His skin became lighter, his nose narrower, and he spoke in a breathy, girlish voice. He often wore a germ mask while traveling, kept a pet chimpanzee named Bubbles as one of his closest companions, and surrounded himself with children at his Neverland ranch, a storybook playland filled with toys, rides and animals. The tabloids dubbed him "Wacko Jacko."

"It seemed to me that his internal essence was at war with the norms of the world. It's as if he was trying to defy gravity," said Michael Levine, a Hollywood publicist who represented Jackson in the early 1990s. He called Jackson a "disciple of P.T. Barnum" and said the star appeared fragile at the time but was "much more cunning and shrewd about the industry than anyone knew."

Jackson caused a furor in 2002 when he playfully dangled his infant son, Prince Michael II, over a hotel balcony in Berlin while a throng of fans watched from below.

In 2005, he was cleared of charges he molested a 13-year-old cancer survivor at Neverland in 2003. He had been accused of plying the boy with alcohol and groping him, and of engaging in strange and inappropriate behavior with other children.

The case followed years of rumors about Jackson and young boys. In a TV documentary, he acknowledged sharing his bed with children, a practice he described as sweet and not at all sexual.

Despite the acquittal, the lurid allegations that came out in court took a fearsome toll on his career and image, and he fell into serious financial trouble.

Michael Joseph Jackson was born Aug. 29, 1958, in Gary. He was 4 years old when he began singing with his brothers — Marlon, Jermaine, Jackie and Tito — in the Jackson 5. After his early success with bubblegum soul, he struck out on his own, generating innovative, explosive, unstoppable music.

The album "Thriller" alone mixed the dark, serpentine bass and drums and synthesizer approach of "Billie Jean," the grinding Eddie Van Halen solo on "Beat It," and the hiccups and falsettos on "Wanna Be Startin' Somethin'."

The peak may have come in 1983, when Motown celebrated its 25th anniversary with an all-star televised concert and Jackson moonwalked off with the show, joining his brothers for a medley of old hits and then leaving them behind with a pointing, crouching, high-kicking, splay-footed, crotch-grabbing run through "Billie Jean."

The audience stood and roared. Jackson raised his fist.

By then he had cemented his place in pop culture. He got the plum Scarecrow role in the 1978 movie musical "The Wiz," a pop-R&B version of "The Wizard of Oz," that starred Diana Ross as Dorothy.

During production of a 1984 Pepsi commercial, Jackson's scalp sustains burns when an explosion sets his hair on fire.

He had strong follow-up albums with 1987's "Bad" and 1991's "Dangerous," but his career began to collapse in 1993 after he was accused of molesting a boy who often stayed at his home. The singer denied any wrongdoing, reached a settlement with the boy's family, reported to be $20 million, and criminal charges were never filed.

Jackson's expressed anger over the allegations on the 1995 album "HIStory," which sold more than 2.4 million copies, but by then, the popularity of Jackson's music was clearly waning, even as public fascination with his increasingly erratic behavior was growing.

Jackson married Lisa Marie Presley in 1994, and they divorced in 1996. Later that year, Jackson married Deborah Rowe, a former nurse for his dermatologist. They had two children together: Michael Joseph Jackson Jr., known as Prince Michael, now 12; and Paris Michael Katherine Jackson, 11. Rowe filed for divorce in 1999.

Jackson also had a third child, Prince Michael II. Now 7, Jackson said the boy nicknamed Blanket as a baby was his biological child born from a surrogate mother.

Cardiac arrest is an abnormal heart rhythm that stops the heart from pumping blood to the body. It can occur after a heart attack or be caused by other heart problems.

Billboard magazine editorial director Bill Werde said Jackson's star power was unmatched. "The world just lost the biggest pop star in history, no matter how you cut it," Werde said. "He's literally the king of pop."

Jackson's 13 No. 1 one hits on the Billboard charts put him behind only Presley, the Beatles and Mariah Carey, Werde said.

"He was on the eve of potentially redeeming his career a little bit," he said. "People might have started to think of him again in a different light."

__

AP Special Correspondent Linda Deutsch and AP writers Derrik J. Lang, Solvej Schou, Anthony McCartney and Thomas Watkins in Los Angeles; and Virginia Byrne, Hillel Italie, Nekesa Mumbi Moody and Jocelyn Noveck in New York contributed to this report.

(Source: Yahoo! News)
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Tonight Show, Hollywood Hail Ed McMahon


Los Angeles (E! Online) – Conan O'Brien, just three weeks into hosting the Tonight Show, wouldn't let his audience forget where Ed McMahon made his most indelible mark.

"It is impossible, I think, for anyone to imagine the Tonight Show With Johnny Carson without Ed McMahon. Ed's laugh was really the soundtrack to that show," O'Brien, who employed the sidekick format with Andy Richter on Late Night until 2000, said during Tuesday's taping.

"For 30 years Ed played his part perfectly, he played it with effortless joy, and sitting alongside Johnny, Ed was an indelible part of what I think is the most iconic two-shot in broadcasting history," he continued.

"There will never be anything like that again. Now everybody here at the Tonight Show mourns the loss of this warm and really truly funny man. Our thoughts go out to his family and to his fans everywhere...Ed, you will be missed."

From the late-night couches to the Twitterverse, the tributes to McMahon poured in all day as his fellow celebs recalled his contributions to showbiz:

• David Letterman: "Ed McMahon's voice at 11:30 was a signal that something great was about to happen. Ed's introduction of Johnny was a classic broadcasting ritual—reassuring and exciting. Ed was a true broadcaster, and an integral part of Johnny Carson's Tonight Show. We will miss him."

• Tonight Show cohort Doc Severinsen: "Ed was full of life and joy and celebration. He will be sorely missed. He was one of the greats in show business, but most of all he was a gentleman. I miss my friend."

• Dick Clark: "Fifty years ago, Ed and I were next-door neighbors. Over the years, our friendship grew while he became one of America's favorite television personalities. We were together for years. Ed was a big man, had big talent and a really big heart. We'll all miss him."

• Perennial Tonight Show guest Don Rickles: "Ed McMahon was a friend from the day I first walked on a stage on the Johnny Carson show and sat down between Johnny and Ed. That kind of fun will never be repeated. Ed was the best at what he did and will never be replaced. Another giant is gone."

• Donald Trump (who last year offered to help the financially strapped McMahon): "America has lost one of its great icons. Ed McMahon was a terrific entertainer and a wonderful person—he will be greatly missed."

• California Gov. Arnold Schwarzenegger: "From Dick Clark's Bandstand to Star Search and the 30 years he spent in our living rooms as an integral part of the Tonight Show, Ed brought joy and laughter to millions of Americans. Maria and I were deeply saddened to learn of his death...Today we join the rest of the country in mourning the loss of this icon who was truly woven into the fabric of America."

Among those tweeting out:

• Drew Carey: "Cried over Ed McMahon this am. Started career Star Search/Tonight Show. Ed there for both. Hope he had peace. Wonderful man."

• Ashton Kutcher: "Rip Ed McMahon the origional Hype man."

• Ryan Seacrest: "Just getting started at work and heard that Ed mcmahon died! Love him! He was a very kind man."

• Britney Spears: "I am deeply saddened by today's news about Ed McMahon. He is responsible for giving so many artists their first shot including myself. He was a wonderful man and will be greatly missed."

Finally, former Tonight Show fill-in host Joan Rivers told MSNBC McMahon was "brilliant" and a "solid second banana."

"I liked him tremendously. He was just what you thought he'd be. The same on camera as off. He was affable, a team player, totally reliable and an all-around good guy. Don't forget, he created the form of sidekick on television that they still use today. By the way, I never slept with him."

We couldn't have said it any better.

(Source: Yahoo! News)

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Review: Evanovich is back with new Plum novel


"Finger Lickin' Fifteen." (St. Martin's Press, 308 pages, $27.95): The barbecue sauce hits the ceiling in "Finger Lickin' Fifteen," Janet Evanovich's new Stephanie Plum novel.

One reason why fans hunger for the next installment in the Plum series is the familiarity with the characters, setting and comedic mayhem that Evanovich provides in each story. But as funny as "Finger Lickin' Fifteen" is — and it is funny — nothing much changes in Stephanie's life, and it may be time for her to move on.

Her latest misadventure begins when Lula, her plus-size friend and co-worker at Vincent Plum Bail Bonds (Vinnie is Stephanie's cousin) in Trenton, N.J., witnesses celebrity chef Stanley Chipolte's decapitation by meat cleaver.

Chipolte is famous for his barbecue sauce, and the company that he was representing in a national cook-off being held in Gooser Park is offering a $1 million reward.

Lula figures Chipolte was whacked by a jealous competitor, so she enters the contest to get the inside track. Problem is, she has to create her own sauce, and Lula lacks basic cooking skills. After a fiery grilling mishap — a half-dead maple tree at the back of the yard "went up like Vesuvius" — Lula moves the operation to Stephanie's kitchen. She cranks up the heat on a pressure cooker and kapow! the lid blows off the pot, sending barbecue sauce everywhere. (Cleanup in aisle one!)

There are other complications: That handsome, mysterious man in black, Carlos Manoso, aka Ranger, needs Stephanie's help in a case involving his security firm. (It may be an inside job, so he doesn't trust his own men.)

That irritates her on-again, off-again boyfriend — plainclothes cop Joe Morelli — because Ranger is always trying to make a move on Stephanie. Joe and Stephanie have broken up, due to an argument about peanut butter, but Morelli is still jealous.

As usual, things don't go smoothly for Stephanie. Her car becomes a fireball, and she's menaced by some guys in one of Trenton's seedier neighborhoods (it's gun-toting Grandma Mazur to the rescue). She also finds herself coated in various substances, including paint and flour. "I honestly don't know how you manage to do this," Ranger says. "It boggles the mind." She even agrees to wear a hot dog-and-bun costume for the barbecue contest.

Read "Finger Lickin' Fifteen" for the laughs, not the plot. And let's hope Stephanie's next adventure will be a little less predictable.

(Source: Yahoo! News)

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Tate show takes wry look at collecting habits


LONDON (Reuters) – The first of seven rooms containing a new exhibition at London's Tate Britain museum is filled with the loud clackety-clack of 39 metronomes placed around its perimeter.

The racket from Martin Creed's installation, cryptically titled "Work No. 112" and created over a nine-year period between 1995 and 2004, introduces the eclecticism of "Classified," on show until August 23.

Works by 15 contemporary artists including Damien Hirst, Simon Starling, Rebecca Warren, Jake and Dinos Chapman, feature mundane objects from everyday life, with their meaning and significance reinterpreted in the gallery setting.

"It's about the order of things and how artists make sense of the world around them to accomplish that," said Clarrie Wallis, a curator of contemporary British art.

"It is about collecting and how you group things together."

Hirst's "Pharmacy," a self-contained room featuring glass-enclosed cabinets of medicine, makes a connection between the method of organizing medicine with the display of art.

"He draws links between belief systems and our relationship to medicine," Wallis said.

"There is also the sense of us trying to make sense of the world -- there's an irony about it."

The exhibit also highlights the museum's own role in collecting, classifying and displaying art objects, particularly with 34 wooden carvings in "The Chapman Family Collection."

Incense wafts amid the carvings, which sit on individual plinths to give the installation the mood of a traditional display of ethnographic objects in a museum at first glance.

It soon becomes apparent that the exhibit is a parody.

A carved representation of Ronald McDonald, the mascot of restaurant chain McDonald's, pokes fun at the exploitation of so-called primitive art and methods of displaying it in a museum setting purely for its aesthetic value -- distanced from its sociological and religious function.

Starling's "Work, Made-ready, Les Baux de Provence (Mountain Bike)" shows steps in the process of constructing an aluminum mountain bike, drawing attention to modernist notions of the alienating affect of mass production.

(Reporting by Julie Mollins; Editing by Steve Addison)

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